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Pueblo
and Navajo pottery is still done in the traditional way, for
the most part. A potter collects his/her clay from special
places, and then begins a long process of
sifting, cleaning and removing unusable pieces. Once the texture
is right, they add the appropriate amount of water and begin
making coils of clay from which to form the pot. After forming
the pot, it is painstakingly scraped and sanded to create a
pleasing finish. Then the potter paints on the slip (a
thin layer of clay and water), lets it dry, and then polishes
the pot with a polishing stone. Polishing is a slow process,
but the rewards of a good polish can be a beautiful, shimmering
pot. Painting and/or deep carving comes next. Traditional firing
techniques must be done outdoors (some artists use commercial
kilns), a tricky experience as sudden changes in temperature,
gusts of wind and rain can all destroy the pots that are being
fired. If the piece has light carving or sgraffito, this will
be the last step (unless more painting in certain areas is
added, in which case it must be lightly fired a second time).
We
offer pottery by a number of top potters from many tribes. Our
pottery ranges from traditional to very contemporary. High
quality polish, careful carving, even painting and good formation
of shape are all important criteria in our selection.
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Snowflake Flower (Cochiti) drummer and dancer set
Snowflake Flower was one of the first storyteller makers, but creates a wide range of figurative pottery pieces.
Drummer is 6 1/8" high and 4 1/2" wide, male dancer is 4" high and 3" wide, female dancer is 3 3/4" high and 2 3/4" wide
$300. for the set.
 
 
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Maria Martinez (San Ildefonso, 1887-1980) and Popovi Da (San Ildefonso, 1923-1971) buff on red jar
One of the most famous Pueblo potters ever, red Maria pieces are very hard to come by, but especially pieces created with her son Popovi Da.
3 1/2" high and 4 3/8" diameter
$4900.

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